Sonoma Mandala Project Homepage

MANDALA PROJECT UPDATE BULLETIN

FUNDING: A MAJOR STEP AHEAD!

October 17, 2007. With a recent anonymous pledge of $1,000,000 added to the amount already given, the Mandala Project now has raised $1,517,116.02 -- 31% towards our overall goal of $5,000,000, and 60% toward construction costs for our first step, the proposed Zendo Meditation Hall. ...more

MANDALA UPDATE FOR OCTOBER 2007

Important developments have occured in the Sonoma Mandala campaign over the past year. As a result of broadening the scope to include the Abbot’s Study (Dokusan Room), Kitchen and Dining Hall, and an endowment for maintenance, fundraising goals have shifted from two and a half to five million dollars. To help raise this amount, Phil Jackson, coach of the LA Lakers and a non-resident affiliate of SMZC, has volunteered to Co-Chair the Fundraising Committee. He will be joined by Kurt Swenson, husband of a longtime zen center student and CEO of Rock of Ages Corporation, who has volunteered to Chair the Finance Committee. They will be backed by Shinko Kwong, who will Co-Chair the Administrative Committee to track pledges and donations, and provide administrative support to other committees...more

INTERVIEW WITH PAUL DISCOE

On a warm July afternoon, Cam Kwong, Lorna Myers and I begin an interview with Paul Zengyu Discoe at Joinery Structures in Oakland. This is our report...more

Mandala Project Coordinator Marvin Bobes

We regret to announce the loss of Marvin Bobes, a much-loved member of our sangha, who, as Advisory Board President, and then as Mandala Coordinator, made an indispensable contribution to SMZC.

On November 17, 2006, Marvin's wife Barbara Wrote that "There have been candles and prayers and dedications to him around the world. Even his dying was a teaching to the people he touched. A small smiling Buddha holding an empty bowl above his head was given to me for his room - open to everything..."

Roshi reminds us that toward the end Marvin expressed a deep commitment to the Mandala Project, saying that it is "of the utmost importance that it be brought to completion. "Marvin's dedication provides an incentive for all of us to help build a shelter for the dharma on Sonoma Mountain to last many years.

When the mandala governs
People are hardly aware that it exists
The mandala doesn't talk, it acts.
When its work is done,
People say, "Amazing! We did it all by ourselves!"
Tao Te Ching

MANDALA PROJECT BACKGROUND

THE SONOMA MANDALA PROJECT: EXPRESSING OUR DEEPEST SELF
The word "Mandala," meaning "circle” in Sanskrit, actually conveys many other ideas as well. It can also suggest the way time and space manifest in a single instant of creative energy. For Kwong-Roshi there is “a true Mandala that fully exists within ourselves, and that can help guide us to our own original stillness, which is always there. "

oak branches Roshi has long envisioned creating a Mandala of buildings on Sonoma Mountain to continue Suzuki-roshi’s lineage and support authentic practice, dedicated to the protection and awakening of all beings, for the next three hundred years. Recently it’s become clear that the existing zendo (meditation hall), which does not meet county code requirements, must be replaced. Since the cost of renovation and retrofit would be nearly the same as building a new zendo, Roshi, with his Advisory Board, has begun the process of designing a Mandala master plan, which will also eventually include a kitchen, an office, a dining hall, and accommodations for staff as well as guests. The new zendo will be the first, central step. The complete Mandala will follow.

The process of realizing this Sonoma Mandala is already underway. Of course it will involve energetic, ongoing fundraising, on a unique scale for Sonoma Mountain Zen Center, coordinated by former residents and long-time sangha members, that could last many years. Renowned Master Temple Builder, Paul Discoe, a student of Suzuki-roshi's, has offered to work with Roshi on the distinctive design and traditional artisan construction of the Mandala buildings on Zen Center grounds.

Roshi often refers to the challenge he and his sangha faced when they first came to Sonoma Mountain thirty years ago. Now he understands that developing this new Mandala will be the second major challenge of his career.What will be most meaningful to him, he claims, will not only be the work of raising money, but the intimate commitment of numerous people cooperating on a complex, long-term task. As always, he says, it’s the authentic practice, the specific, focused, whole-hearted efforts of the Sonoma Mountain Sangha that will give this project its real significance. Their labor will be more than a matter of creating wood and concrete shelters; it will involve creating buildings that are actively living things. "We will make them live by how we practice in them,” Roshi observes.” And how we care for them will show exactly how we care for our true selves. That is the basic meaning of Mandala."

There will be many opportunities for well-wishers and sangha members to come together in support of this powerful vision. Key events to launch and sustain the Sonoma Mandala project will be announced regularly on this website. If you have ideas or expertise that you would like to contribute, please don’t hesitate to let us know.

DONATION REQUEST FOR A MONK'S HALL
AT THE KANNONDORI MONASTERY

We respectfully make this announcement to all buddhas in the ten directions, to sages and monks in the heavenly and human worlds, to the eight types of guardians in the dragon realm, and to generous men and women. We wish to construct a training hall with donations, however small they may be, from people's pure heart.

The Bodhisattva Precepts Sutra says, "Children of the Buddha, you should guide sentient beings by constructing monasteries and building stupas in the mountains, forests, gardens, and fields. You should establish training halls for holding winter and summer practice periods for zazen and all other practices. You would be negligent if you failed to do so."

All temples and monasteries are practice places of buddhas. Buddhist monasteries in China are modeled after those in India. Japanese monasteries should follow these examples. Constructing a monastery is of great significance and its merit is profound; it has much to offer to people.

For some years now, ever since I returned to Japan from China, I have vowed to establish a monastery. But there has not been a place suitable to support monks' formal practice using bowls and robes. Now we have acquired an excellent place. It is located in the compound of the Gokuraku Temple near Fukakusa. We have named this place the Kannondori. Although it is still covered with weeds and not yet functioning, we plan to build a training monastery here.

The primary components of a monastery are a buddha hall, a dharma hall, and a monks' hall. We have a buddha hall and we do not have a dharma hall. But we urgently need a monks' hall. We need to build [describes size, platforms]sacred figure of Manjushri will be enshrined in the center of the hall, to be surrounded by the practicing monks.

The ancient practice of formally taking refuge in the three treasures together as a group in one hall is still alive today. Its merit is enormous and its effect is broad. We will thoroughly engage in each activity in order to cultivate fertile conditions to transform the ten directions.

We will acknowledge the gifts by installing the donors' names inside the sacred image of Manjushri. The enshrined names will form myriad syllables as seeds of wisdom illuminating everyone. Those who attain the way in this hall will be guiding masters of the people, and will not only reach the human realm, but beyond. They will transform beings in the heavenly realm and in the dragons' palace. Those in the realms of invisible and divine will also listen. Thus this dharma wheel transmitted from Shakyamuni Buddha will reach everywhere.

Respectfully yours, Abbot of the Kannondori Monastery
The 12th month, the 1st year of the Katei Era.
(Enlightenment Unfolds: The Essential Teachings of Zen Master Dogen, ed. Kaz Tanahashi)